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THE ROOM OF FEAR IS OPEN TILL MIDNIGHT

Chapter 6. The Booth with No Change

In the morning the commission arrived not with shouting, but with a tape measure.

That was worse.

You could wait out shouting. A tape measure turned every living thing into its distance from disaster. From the booth to the exit. From the old cable to the wooden wall. From the pond to the children's path. From a person to the wording that made them no longer a witness, a visitor or a neighbour, but "an individual within the potential impact zone".

Roman Zuev stood beside the commission in a grey raincoat and said almost nothing. He did not need to. The people with folders spoke for him.

The fire inspector looked at the Room of Fear as though the pavilion were already burning and simply had not realised it yet. The electrician from town opened the switch room, clicked his tongue and asked Varya Gordeeva to show him her certification. The woman from the council recorded everything in duplicate. Maya Kraeva kept slightly apart, as though she had come neither to help nor hinder, but to remember who would be first to call the truth a violation.

Ilya Lazarev kept the ledger under his jacket. It had grown heavier since the night, though no pages had been added.

"We aren't closing your park," said Roman Zuev when the inspector fixed the first strip of red tape across the switch-room entrance. "We're closing off access to a hazard. Those are different things."

He said it gently, almost with concern. Ilya understood that this was his real strength. Roman Zuev was not taking away the land. He was saving people from it. He was not throwing Varya out. He was removing an uncertified specialist from danger. He was not forbidding anyone to remember the dead. He was asking them not to use tragedies as an attraction until the facts had been established.

Every sentence was designed to make any reasonable person nod.

That was precisely why Varya went pale.

The town electrician placed a report in front of her.

"Sign to confirm that the site had hidden safety defects and that you notified the owner."

"I didn't notify him," said Varya.

"Then sign to confirm that you failed to notify him because you weren't certified."

"I was certified."

"Where's the paperwork?"

She opened her mouth and closed it again.

Semyon Ilyich Lazarev kept every document anywhere but where it could be found quickly. Varya knew every staple in the switch room, but the paper giving her the right to touch them lay somewhere in his chaos, between invoices for light bulbs and old tickets.

Roman Zuev did not smile. He did not even look at Ilya. He simply said:

"Varya, I'm not asking you to betray anyone's memory. I'm asking you not to take on someone else's guilt."

It was a beautiful line. So beautiful that Ilya wanted to smash it against the booth counter.

Varya picked up the pen.

Ilya stepped forward, but she did not even look at him. She merely struck through the blank signature line with one short stroke.

"I won't take what isn't mine," she said. "And I won't give you what is."

The town electrician took the keys to the external electrical cabinet from her. Not the park switch room, which could still be opened with his grandfather's bunch, but the large municipal cabinet beyond the fence. It held the line without which only half the park's lights could come on that evening.

Roman Zuev sighed.

"Then, pending a separate ruling, admission of the public is prohibited. One owner, one technical employee, one police representative. No more."

Maya Kraeva looked up.

"Am I the police representative?"

"If you like," said Roman Zuev. "I thought you didn't like children running around unsafe sites."

"I don't like adults hiding an old case behind the word 'site'."

He looked at her for the first time that morning. Not angrily. Attentively.

"Then we're both on the side of safety."

By noon the park was empty. Red tape rustled in the wind. The carousel stood still again. The shooting gallery was silent. Only the Room of Fear behind its closed entrance seemed not shut, but holding its breath.

Ilya, Varya and Maya were left alone by the booth.

The brass key with Nina Pakhomova's tag lay at the bottom of the till drawer.

Maya looked at it.

"Is that evidence?"

"I don't know yet," said Ilya.

"Bad answer."

"I don't have many others."

Maya did not leave at once. First she studied the tag as though the surname were not evidence but an address.

"Nina Pakhomova?" she asked.

"You know her?"

"Every local officer knows the people who argue with their social worker over every bill. She lives near the market. If this is another coincidence, I'll laugh at myself afterwards."

She walked over to the gates and made a call. She spoke briefly and flatly, without official language, as though afraid the Room might hear the wrong meaning.

"Nina Stepanovna, it's Kraeva. Don't be alarmed. Something bearing your name has been found. Yes, in the park. No, I won't tell you over the phone. If you want, I'll send a car. If you don't, I have no right to make you come."

Then Maya returned to the booth and put away her phone.

"She said she'll come if it's the booth."

The key did not fit the booth. Or the door. Or the switch room. It fitted a small iron box beneath the counter that Ilya had taken for a sealed safe. The box opened without a creak.

There were coins inside.

Not old ones, not valuable ones. Roubles, kopecks, tokens, children's buttons, two buttons from a factory uniform and a small hairclip shaped like a yellow chick. Beneath them lay a receipt.

Shortfall: forty-seven roubles sixteen kopecks.

Signed: Nina Pakhomova.

Ilya touched the receipt, and the till began to ring.

Not as it had at night.

It rang on and on, thin and humiliating. The sound of small change being counted in front of witnesses while the queue stared at your back.

The Room of Fear opened its side door by itself.

There was no shop floor inside. There was an old ticket booth. Narrow, with cloudy glass, a low chair and a fluorescent lamp. A sign hung on the wall: "NO CHANGE". Beneath the sign was a clock, but its hands did not move. They trembled as though they were cold.

"So this isn't a projector?" asked Maya.

Varya looked at Ilya.

"Ask the expert on fakes."

Ilya listened. The lamp hummed. The clock ticked. Somewhere beyond the glass, a queue breathed.

"No," he said. "The queue remembers the sound."

Maya said flatly:

"Queues don't remember."

The booth answered for him.

A woman's voice came through the cloudy glass:

"Next."

They saw Nina Pakhomova as a young woman. Not in the flesh, but in the reflection. She sat behind the glass in a blue cardigan, her hair neatly done, with the face of someone who had already understood that today they would break her not by force, but with the right questions.

Three men stood in front of the glass. The Room did not show their faces. Only their hands. One hand held a report. Another twirled a pencil. The third tapped two fingers against the glass.

"Forty-seven roubles sixteen kopecks," said the faceless voice. "Sign it, Nina. It's nothing. Everyone makes mistakes."

The young Nina said nothing.

"If you don't sign, we'll look into your son's shifts. He works at the factory too, doesn't he? Temporary worker? People like that are easy to leave out of the count."

Varya swore under her breath.

Maya stopped taking notes.

Ilya realised he had been wrong. The debt was not money. Money was only a way to measure how much of a person's time could be stolen before they broke and put their own signature to someone else's theft.

A rule appeared on the glass.

Change does not give back money.

The first coin dropped into the tray.

The Room changed.

One rouble became an hour. Five kopecks became minutes outside a locked office. Ten kopecks became the steps from the booth to the works gate, where Nina Pakhomova was no longer called by her name, only "that one". Each coin rang and gave back not a sum, but a piece of the life in which they had forced her to be a thief.

Ilya wanted to stop the ringing.

But Varya caught him by the sleeve.

"Don't touch it. She has to hear it through."

"She?"

Varya nodded towards the glass.

In the reflection, the young Nina raised her head.

And outside, at the entrance to the pavilion, stood Nina Pakhomova as an old woman.

They had brought her after Maya's call. Not at night, not by force, not under a summons. The old cashier had ordered them not to help her out of the car and walked to the pavilion with her stick, as though she were going not to face ghosts, but to see a manager who had refused to hear her complaint for far too long.

Maya did not believe in the Room. But she believed in coincidences that people had been asking her not to investigate for too long.

The old Nina looked at her younger self without fear.

"I thought I'd die before this booth ever opened again," she said.

Ilya asked:

"Did you sign it?"

"I did."

"Did you take the money?"

"Did I take home the change when people forgot a kopeck? I did. For the bus. For bread. For my son. But I didn't take forty-seven roubles sixteen kopecks. A sum like that only appeared in our till when someone at the top wanted someone at the bottom to be found guilty."

She went up to the glass and laid her palm against the cloudy partition.

"I signed so they wouldn't put Lyoshka's name on another sheet. He'd been seen at the warehouse. And back then, anyone who saw something might not turn up for their next shift."

Maya asked quietly:

"Who made you do it?"

Nina Pakhomova did not answer at once.

Behind the glass, the hand holding the pencil stopped tapping. The whole room seemed to lean towards her.

"The one who counted," said Nina. "Not the bookkeeper. Not the manager. There was this man. First he counted money. Then people. Then everyone got used to it being the same thing."

The till rang one last time.

At the bottom of the tray lay not a coin but a small key. The same brass key, except now its tag bore not Nina's name but the word "memory".

The ledger opened to the right-hand page.

Nina Pakhomova. Shortfall. Paid.

Below, at the very edge of the page, an initial and a surname came through.

A. Gordeev.

Varya saw it first.

She did not ask what it meant. There was no need. All colour drained from her face so quickly it was as though the Room had taken a lamp away from her.

"Andrei Gordeev," she said.

She did not say her own patronymic.

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